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Participation: 80%-99%
Play Time: > 3:20
Unique Durations: 8-9
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BSG
Pergolesi/Magatagan/BSG: Stabat Mater Dolorosa quartet
BSG
4:46 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 20 0 6 3 100%
Violin
1		 Treble 23 0 8 8 100%
Violin
2		 Treble 21 0 7 8 100%
Viola 18 0 6 8 96%
 
J.D. Zelenka: Lamentatio I (complete, from ZWV 53)
BSG
16:22 Est. Play
Time
150 Measures
1,706Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 23 0 10 8 96%
Contrabass Bass 23 0 10 8 96%
Violin
1		 Treble 28 0 11 11 75%
Violin
2		 Treble 27 0 11 9 75%
Bass Bass 16 0 5 9 74%
Viola 23 0 7 9 59%
Oboe
1		 Treble 19 0 8 9 31%
Oboe
2		 Treble 19 0 7 8 29%
 
Schubert: Sonata #20 in A, Andantino (D959 #2)
BSG
20:00 Est. Play
Time
200 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92%
Bass 54 28 27 9 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano
RH		 Treble 52 77 24 9 92%
Bass 54 28 27 9 87%
 
J. S. Bach: Ich lasse dich nicht, du segnest mich denn (BWV 157, #1)
BSG
3:22 Est. Play
Time
57 Measures
1,948Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabass Bass 23 0 8 4 100%
Cto Bass 23 0 8 4 100%
Oboe Treble 21 0 7 7 96%
Violin Treble 24 0 9 8 93%
Flute Treble 21 0 8 8 91%
Bass Bass 16 0 5 7 60%
Tenor Treble 18 0 6 7 60%
FluteXEC Treble 8 0 4 1 9%
OboXec Treble 5 0 2 1 7%
 
Georg Böhm (1661-1733): Vater unser im Himmelreich
BSG
4:00 Est. Play
Time
40 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Recorder Bass 24 0 8 3 100%
Pan
Flute		 Treble 26 16 7 6 95%
Oboe Treble 20 0 6 8 89%
 
J. S. Bach/Tovey: Contrapunctus XIV (D. F. Tovey completion)
BSG
11:32 Est. Play
Time
317 Measures
3,431Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 26 0 9 7 91%
22 0 8 7 86%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 26 0 9 7 91%
22 0 8 7 86%
22 0 8 7 87%
27 0 11 8 92%
Reed
Contrabass		 Bass 25 0 8 7 70%
 
J. S. Bach: Chorus: "Es ist nichts Gesundes an meinem Leibe", BWV 25 #1
BSG
4:58 Est. Play
Time
74 Measures
1,502Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 25 0 9 7 99%
Contrabass Bass 25 0 9 7 99%
Violin
2		 Treble 20 0 6 5 89%
Viola 23 0 8 5 88%
Violin
1		 Treble 20 0 7 6 86%
Alto Treble 16 0 6 5 85%
Bass Bass 18 0 6 8 84%
Tenor Treble 18 0 6 6 84%
Soprano Treble 17 0 6 7 81%
Tenor
Trombone		 12 0 3 4 28%
12 0 3 5 28%
Bass
Trombone		 Bass 14 0 4 6 28%
C
Trumpet		 Treble 8 0 0 4 28%
 
J. S. Bach: Du wahrer Gott und Davids Sohn (BWV 23, #1)
BSG
7:39 Est. Play
Time
62 Measures
3,722Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Bass 28 0 12 5 100%
Vcello/Ctinuo Bass 28 0 11 5 100%
Cto
Rlz		 Treble 23 125 8 10 95%
Oboe
1		 Treble 24 0 9 11 94%
Oboe
2		 Treble 23 0 8 9 90%
Alto Treble 15 0 6 12 60%
Soprano Treble 15 0 5 14 58%